Decoding the New York Mayor's Sartorial Choice: What His Suit Tells Us Regarding Contemporary Masculinity and a Shifting Culture.
Coming of age in London during the noughties, I was always surrounded by suits. They adorned businessmen rushing through the Square Mile. They were worn by dads in the city's great park, kicking footballs in the golden light. At school, a cheap grey suit was our required uniform. Historically, the suit has served as a costume of gravitas, signaling power and professionalism—qualities I was told to embrace to become a "adult". Yet, until recently, my generation appeared to wear them infrequently, and they had all but disappeared from my mind.
Subsequently came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a private ceremony dressed in a subdued black overcoat, pristine white shirt, and a notable silk tie. Propelled by an innovative campaign, he captivated the world's imagination unlike any recent contender for city hall. Yet whether he was cheering in a hip-hop club or attending a film premiere, one thing remained mostly constant: he was almost always in a suit. Relaxed in fit, contemporary with soft shoulders, yet traditional, his is a quintessentially professional millennial suit—that is, as typical as it can be for a cohort that rarely bothers to wear one.
"The suit is in this weird position," notes style commentator Derek Guy. "Its decline has been a slow death since the end of the Second World War," with the real dip coming in the 1990s alongside "the advent of business casual."
"It's basically only worn in the strictest settings: marriages, memorials, to some extent, legal proceedings," Guy states. "It is like the traditional Japanese robe in Japan," in that it "essentially represents a custom that has long retreated from daily life." Many politicians "don this attire to say: 'I am a politician, you can trust me. You should support me. I have legitimacy.'" But while the suit has historically conveyed this, today it performs authority in the attempt of gaining public confidence. As Guy elaborates: "Because we are also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a subtle form of performance, in that it enacts manliness, authority and even closeness to power.
Guy's words stayed with me. On the rare occasions I require a suit—for a wedding or formal occasion—I dust off the one I bought from a Tokyo department store several years ago. When I first picked it up, it made me feel sophisticated and high-end, but its slim cut now feels outdated. I suspect this sensation will be only too recognizable for numerous people in the diaspora whose parents originate in somewhere else, particularly developing countries.
Unsurprisingly, the working man's suit has lost fashion. Like a pair of jeans, a suit's shape goes through cycles; a particular cut can therefore characterize an era—and feel rapidly outdated. Take now: looser-fitting suits, echoing a famous cinematic Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a considerable investment for something destined to be out of fashion within five years. But the appeal, at least in some quarters, endures: recently, major retailers report suit sales rising more than 20% as customers "shift from the suit being everyday wear towards an desire to invest in something special."
The Symbolism of a Accessible Suit
Mamdani's preferred suit is from a contemporary brand, a European label that retails in a moderate price bracket. "Mamdani is very much a product of his background," says Guy. "A relatively young person, he's not poor but not exceptionally wealthy." To that end, his mid-level suit will appeal to the group most likely to support him: people in their thirties and forties, university-educated earning middle-class incomes, often frustrated by the expense of housing. It's precisely the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits plausibly align with his stated policies—which include a rent freeze, constructing affordable homes, and fare-free public buses.
"You could never imagine a former president wearing this brand; he's a Brioni person," says Guy. "He's extremely wealthy and was raised in that property development world. A status symbol fits naturally with that tycoon class, just as attainable brands fit naturally with Mamdani's cohort."
The legacy of suits in politics is long and storied: from a well-known leader's "controversial" beige attire to other world leaders and their notably impeccable, tailored appearance. Like a certain British politician learned, the suit doesn't just dress the politician; it has the power to define them.
The Act of Normality and Protective Armor
Perhaps the point is what one scholar calls the "performance of banality", summoning the suit's long career as a uniform of political power. Mamdani's specific selection taps into a deliberate understatement, not too casual nor too flashy—"respectability politics" in an inconspicuous suit—to help him connect with as many voters as possible. However, some think Mamdani would be cognizant of the suit's historical and imperial legacy: "The suit isn't neutral; scholars have long noted that its contemporary origins lie in military or colonial administration." Some also view it as a form of defensive shield: "I think if you're from a minority background, you might not get taken as seriously in these white spaces." The suit becomes a way of asserting credibility, perhaps especially to those who might doubt it.
Such sartorial "code-switching" is not a new phenomenon. Even iconic figures previously wore three-piece suits during their formative years. These days, certain world leaders have begun exchanging their usual military wear for a black suit, albeit one lacking the tie.
"In every seam and stitch of Mamdani's public persona, the struggle between belonging and otherness is visible."
The suit Mamdani chooses is deeply symbolic. "As a Muslim child of immigrants of Indian descent and a democratic socialist, he is under scrutiny to meet what many American voters expect as a marker of leadership," says one expert, while simultaneously needing to walk a tightrope by "avoiding the appearance of an elitist betraying his distinctive roots and values."
But there is an sharp awareness of the different rules applied to who wears suits and what is interpreted from it. "This could stem in part from Mamdani being a younger leader, skilled to adopt different personas to fit the occasion, but it may also be part of his multicultural background, where adapting between languages, customs and attire is common," commentators note. "Some individuals can remain unremarked," but when others "seek to gain the power that suits represent," they must meticulously negotiate the expectations associated with them.
In every seam of Mamdani's official image, the dynamic between belonging and displacement, insider and outsider, is visible. I know well the discomfort of trying to conform to something not built for me, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's style decisions make clear, however, is that in public life, image is never neutral.